Dhaka University’s Faculty of Fine Arts brought color, symbolism, and political expression to the streets as thousands joined the traditional Pohela Boishakh procession on Monday, celebrating Bengali New Year 1432 with an array of vibrant and thought-provoking motifs.
The iconic ‘Mangal Shobhajatra,’ a celebratory procession organized by the Faculty of Fine Arts at Dhaka University, commenced at 9 AM from its campus and passed through Shahbagh, TSC, Shaheed Minar, and Doel Chattar before looping back to its starting point. This year, the parade blended elements of rural folk culture with strong undertones of protest and solidarity.
The central motif—a monstrous effigy symbolizing fascism—stood at 16 feet and was reportedly modeled after the facial likeness of exiled political figure Sheikh Hasina. Constructed from wood, board, and thermocol, this version replaced a previously burned 20-foot bamboo and paper model. Current and former art students collaborated over two days to craft the new effigy.
Commemorating last year’s July–August public uprisings, a motif shaped like a crushed water bottle was featured, while bold red-black-white typography spelling “36 July” drew attention to civic resistance. In a show of international solidarity, a vivid watermelon slice—matching the colors of the Palestinian flag—stood out, symbolizing support for Palestinians under Israeli attack.
The parade also embraced traditional motifs such as doves representing peace, royal Bengal tigers, hilsa fish, and palanquins. Medium-sized creations included masks of Sultanate and Mughal rulers, palm-leaf soldiers, fans, spinning wheels, horses, and painted birds. Smaller installations depicted elements of rural life—fishing tools, plows, and farming baskets—emphasizing Bangladesh’s agrarian heritage.
The entire procession was accompanied by eight decorated police horses, enhancing the ceremonial feel. Teachers, students, and people from all walks of life joined the event, transforming the Dhaka University campus into a hub of cultural festivity and political expression.
LND/BG
